Artwork > Arthur Hardigg

Arthur Hardigg, cross section, graphite and ink on paper, drawing, deer isle maine
graphite and ink on paper
2022
Arthur Hardigg, tennis with tiffany, graphite on paper, drawing, deer isle maine
Graphite on paper
2023
Arthur Hardigg, untitled, mixed media on paper, drawing, deer isle maine
mixed media on paper
2023
Arthur Hardigg, Golden Gate, pencil and ink, drawing, deer isle maine
Pencil and Ink on Paper
26x20
2020
Arthur Hardigg, Monoprint, Maine Art, Turtle Gallery, Black and white print show
Monoprint
10.5" x 7"
2016
Arthur Hardigg, Release, Drawing, Maine Art, Turtle Gallery, Black and white print show
Colored pencil, pencil, ink, pastel on paper
30" x 22"
2016
Arthur Hardigg, new growth, Oil painting, Maine Art, Turtle Gallery, Black and white print show
Oil on Canvas
30" x 26"
2016
Arthur Hardigg atlanta and milwaukee Collage Oil on Canvas Baseball Deer Isle Maine
Collage and Oil on Canvas
34 x 26"
2015
Arthur Hardigg 20 scenes Collage Pencil Colored Pencil on Paper Deer Isle Maine
Pencil and Colored Pencil on Paper
29 x 26"
2016
Arthur Hardigg The Turtle Gallery Collage Pencil Colored Pencil on Paper Deer Isle Maine
Pencil and Colored Pencil on Paper
Detail of 29 x 26"
2016
Arthur Hardigg The Turtle Gallery Collage Pencil Colored Pencil on Paper Deer Isle Maine
Pencil and Colored Pencil on Paper
Detail of 29 x 26"
2016
Arthur Hardigg sleepers and dreamers Deer Isle Maine Colored Pencil Pastel on Paper Fine Art
Colored Pencil and Pastel on Paper
26 x 20"
2015
Arthur Hardigg The Turtle Gallery Deer Isle Maine Monoprint Portrait
Monoprint
11 x 10"
2015
Arthur Hardigg The Turtle Gallery Deer Isle Maine Monoprint Portrait Pastel
Monprint with pastel
10 x 7"
2015

Hardigg studied at Tufts University and the Museum School and has been a member of the Bromfield Art Gallery since 1999. His work consists of figurative paintings and drawings. They have an abstract quality, being drawn from imagination rather than from life.

"Every drawing starts with a blank sheet, and the goal of the draughtsman is to animate that space, so that the lines look as if they had asserted themselves from beneath the surface of the paper, like branches breaking free from frozen rain. You want the drawing to retain the beauty and transparency of the empty page, and for the image to emerge from its surface like a visitor, or a memory."
-Arthur Hardigg, March, '07